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Eighteenth-Century Theatre Capitals: From Lisbon to St. Petersburg

von: Iskrena Yordanova, José Camões
84,99 €
Verlag:	Hollitzer Wissenschaftsverlag
Format:	PDF
Veröffentl.:	24.06.2022
ISBN/EAN:	9783990940051
Sprache:	englisch
Anzahl Seiten:	464

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Beschreibungen

Titelbeschreibung

The fifth volume of the series Cadernos de Queluz intends to broaden the conceptual and geographical perspectives on the pan-European history of music theatre. The cultural and ceremonial patterns common to eighteenth-century European courts created complex webs of meaning around the sovereigns who communicated via the arts, which found expression in an architectural, artistic, and musical code. The existence of a common artistic language among European countries facilitated the circulation of musicians, theatrical companies, architects, librettists, and craftsmen within a single network, challenging the orthodox conceptual distinctions between European cultural traditions. This book is a virtual journey among the artistic exchanges between the European capitals, weaving them into one single narrative, underlining the common patterns of musical practices throughout the Continent, from West to East. The road map starts from the kingdom of Portugal and passes through Madrid, Paris, the Papal States, Naples, Milan, Vienna, and ends in St. Petersburg.

Inhaltsverzeichnis

Introduction
Iskrena Yordanova – José Camões

PART I
LISBON

Non solo Roma: L'importanza di Bologna e il protagonismo delle
donne artiste e spettatrici nei teatri d'opera di Lisbona (1708–1760)
Giuseppina Raggi

De palco giratório a palco fixo: presença de cantores
e bailarinos italianos em Lisboa no século XVIII
José Camões

Giuseppe Scolari, Nicola Setaro and the Italian Opera in Eighteenth-Century
Spain and Portugal: Trajectories and Repertoires
Ricardo Bernardes

Il disertore and Maestro Leali, or the Making of a Pastiche
and the Invention of a Composer
David Cranmer

De Lisboa ao Rio de Janeiro: Elementos para o estudo da disseminação
do repertório teatral português no Brasil setecentista
Marta Brites Rosa

PART II
MADRID

Las academias místicas y la recepción del repertorio operístico
en Madrid a finales del siglo XVIII
Josep Martínez Reinoso

Mezcla de estilos y gusto moderno en la comedia española dieciochesca:
tres estudios de caso
Carlos González Ludeña

PART III
MILAN, FLORENCE, GENOA, NAPLES

In viaggio tra le capitali: i passaggi delle principesse nel Ducato di Milano
dal 1708 al 1760. Circolazione di idee e di artisti
Alessandra Mignatti

Il teatro mediceo di Pratolino come crocevia di artisti
e tendenze nell'Italia del primo Settecento
Leonardo Spinelli

«… e sappi che al [Teatro] S. Agostino vi sarà il famoso ballerino
Giovanni
Favier di Vienna»: prime notizie sul ballo a Genova
nel secondo Settecento
Fabio Ivaldi

Giuseppe de Dominicis de Rossi e Domenico Rossi:
due Italiani in Europa tra XVIII e XIX secolo
Maria Venuso

PART IV
PARIS AND LONDON

Gli italiani di Parigi: artisti, pirotecnici e cavallerizzi
al servizio delle scene teatrali di fine Settecento
Elisa Cazzato

Londra, Parigi, San Pietroburgo:
le capitali del circo moderno (Astley, Franconi e Guerra)
Elena Mazzoleni

PART V
VIENNA

Letteratura «al secondo grado» e generi misti operistici
alla corte di Carlo VI: tre libretti donchisciotteschi a confronto
Livio Marcaletti

Lo scambio culturale europeo attraverso la corrispondenza
inedita di Favart
Flora Mele

Cimarosa's Il matrimonio segreto in Vienna:
Trying to be 'Classic'?
Federico Gon

PART VI
ST. PETERSBURG

Da San Pietroburgo a Lisbona:
Giuseppe Bonechi in Portogallo nel nome di Metastasio
Luca Beltrami

Esterháza and St. Petersburg:
Two Remote Centres Connected by a Diversity of Ties
Janos Malina

APPENDIX

INDEX OF PERSONS

LIST OF ILLUSTRATIONS

Autorenportrait

Iskrena Yordanova is violinist and musicologist. Her main research interest focuses on Portuguese and Italian 18th-century repertoire. Since 2014 she is coordinating the research activities and international conferences at "Divino Sospiro – Centro de Estudos Musicais Setecentistas de Portugal". She edited serenatas and oratorios by D. Perez, N. Jommelli, J. Cordeiro da Silva, J. de Sousa Carvalho and P. A. Avondano.

José Camões is professor of the Theatre Studies postgraduate programme in the School of Arts and Humanities, University of Lisbon. He is a researcher at CET – University of Lisbon, and his fields of research include History of Theatre, Textual Criticism, and Digital Humanities. He is the scientific leader of several projects about the History of Portuguese and Iberian Theatre.